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The music video for the Rascal Flatts song " I Melt " is a case in point, gaining notoriety for clips featuring guitarist Joe Don Rooney 's bare buttocks, and model Christina Auria taking a shower in the nude. Controversy surrounding Madonna's marketing of her sexuality began with the video for " Lucky Star ", and amplified over time due to clips such as " Like a Virgin ". Harry Nilsson 's " Everybody's Talkin ". One notable later example of the non-representational style is Bill Konersman 's innovative video for Prince 's " Sign o' the Times "  — influenced by Dylan's "Subterranean Homesick Blues" clip, it featured only the text of the song's lyrics. The early animated films by Walt Disney , such as the Silly Symphonies shorts and especially Fantasia , which featured several interpretations of classical pieces, were built around music. According to rock historian Paul Fowles, the song is "widely credited as the first global hit single for which an accompanying video was central to the marketing strategy". Many "filmed inserts" were produced by UK artists so they could be screened on TV when the bands were not available to appear live. The music video for R. The promo film to "Call Me Lightning" tells a story of how drummer Keith Moon came to join the group: Some of these directors, including, Gondry, Jonze, Sigismondi,  and F. In , they collaborated with Jean-Luc Godard on the film Sympathy for the Devil , which mixed Godard's politics with documentary footage of the song's evolution during recording sessions.
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Early s cartoons featured popular musicians performing their hit songs on-camera in live-action segments during the cartoons. This would become a popular form of entertainment known as the illustrated song , the first step toward music video. Many "filmed inserts" were produced by UK artists so they could be screened on TV when the bands were not available to appear live.
The BBC reportedly refused to air the clip because it was considered to be in "poor taste". In most cases, the record label will provide and distribute videos edited or provide both censored and uncensored videos for an artist. Two key innovations in the development of the modern music video were the development of relatively inexpensive and easy-to-use video recording and editing equipment, and the development of visual effects created with techniques such as image compositing.