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Flesh-eating demons, Rajiv Gandhi's assassin, even Bram Stoker and Dracula populate the serpentine narrative, which intermingles stories about the characters with the terrifying tales they tell. City of Dreadful Night is an astonishing work of fiction, a tangle of tales that transports the reader from the Medieval India of magicians, witches, and vampires, through the British India of Brahm Kathuwala's childhood, into the chaos and political terror of contemporary India. It is also an attempt to come to grips with the omnipresence of political and religious terror in contemporary India. But what started out as a study of other people's stories became a compelling story itself. We hear of his marriage to the daughter of a cremation ground attendant, his battles against her demonic possession, and their painful parting. A young boy listens in rapt attention as an Irish woman reads to him the tale of Shocking, original, beautifully written, City of Dreadful Night offers readers a captivating immersion in the wonder and terror of India, past and present. This book is the product of Siegel's deep knowledge of both Indian and Western literary and philosophical traditions. Brahm's life story is revealed through countless tales along the way. Siegel uses imagination to explore the relation of real terror to horror fiction and to contemplate the ways fear and disgust become thrilling elements in stories of the macabre. We learn that he was raised, and abandoned, by two mothers—one the destitute floor sweeper who bore him; the other her employer, a wealthy Irish woman who read and reread to him the story of Dracula. This unorthodox book is more than a story; it blends scholarship, fantasy, travelogue, and autobiography—fusing and overlapping historical accounts and newscasts, literary texts and films, dreams and nocturnal tales. Siegel set out in search of the old man—called Brahm Kathuwala—to hear his stories and to learn about his uncommon life. Excellent porn movies

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5 Comments

  • Shaktigul says:

    Siegel uses imagination to explore the relation of real terror to horror fiction and to contemplate the ways fear and disgust become thrilling elements in stories of the macabre. Shocking, original, beautifully written, City of Dreadful Night offers readers a captivating immersion in the wonder and terror of India, past and present.

  • Moktilar says:

    Brahm's life story is revealed through countless tales along the way. Vividly recreating Indian literary and oral traditions, Siegel weaves a web of possession, reincarnation, and magical transformation unlike any found in the Western tradition. We learn that he was raised, and abandoned, by two mothers—one the destitute floor sweeper who bore him; the other her employer, a wealthy Irish woman who read and reread to him the story of Dracula.

  • Shaktill says:

    Brahm's life story is revealed through countless tales along the way.

  • Fenrijas says:

    Flesh-eating demons, Rajiv Gandhi's assassin, even Bram Stoker and Dracula populate the serpentine narrative, which intermingles stories about the characters with the terrifying tales they tell. Siegel uses imagination to explore the relation of real terror to horror fiction and to contemplate the ways fear and disgust become thrilling elements in stories of the macabre.

  • Malagul says:

    A young boy listens in rapt attention as an Irish woman reads to him the tale of

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