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Due to the mature subject matter of the film, it was rated "R" by the Motion Picture Association of America MPAA in the United States, specifically for strong depiction of "child abuse including sexual assault, and pervasive indecent language". Bradshaw commended the film's acting and energy but said it was not quite the "transcendent masterpiece" some had made it out to be. It howls and stammers, but it also sings It's a sign how much we needed to tell this story. Stevens noted that while the film is about improvement and self-actualization, "it wields an awfully large cudgel" in contrast to Scott's view of balance: However, the film holds the record as the highest grossing picture to open in fewer than theaters, and holds the record for the highest grossing average per screen for films shown in fewer than 50 theaters. Inarticulate and emotionally shut down, her massive body at once a prison and a hiding place, Precious is also perceptive and shrewd, possessed of talents visible only to those who bother to look. Rain and her lover Kimberly Russell , displaying her awakening literary intelligence even as she marvels at the discovery of her ignorance. List of accolades received by Precious Precious received dozens of nominations in award categories, including six Academy Award nominations, not only for the film itself but for the cast's performances, the direction and cinematography, and the adaptation of the novel to the screenplay. First-time screenwriter Geoffrey Fletcher did yeoman's work turning Sapphire's graphic, idiomatic novel into a coherent and inspiring story about the journey of an abused Harlem teenager. Writing for the New York Press , Armond White compared the film to the landmark but controversial The Birth of a Nation as "demeaning the idea of black American life," calling it "an orgy of prurience " and the "con job of the year. At its plainest and most persuasive, her story is that of a writer discovering a voice. Precious received favorable reviews from film critics, particularly for Sidibe's and Mo'Nique's performances. Scott identifies the script's precise use of force and adept use of language, including a memorable line created by Fletcher for the adaptation: And, perhaps, how many stories there are left to tell. But just as Push achieves an eloquence that makes it far more than a fictional diary of extreme dysfunction, so too does Precious avoid the traps of well-meaning, preachy lower-depths realism.
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